Sorry, but I inadvertently published a blog today called “I am the vine” and had to take it down. Starting on April 10 I will be posting a series of photos of a mural that I have just completed. I am including a photo now of one study I did for the mural. Please watch for the rest of the photos.
This is a simple study that I painted on a panel. I often use small panels to try out techniques or colors. I like to work on small canvasses. I think that a common mistake for many students is to paint over life size without a good reason.
The darks in this painting are applied very thinly.
All of the sunflower paintings in this series were done with acrylics.I think that the most important thing to remember when starting a painting is the location of the light source. Where is the light coming from? Most of the time I like for the light to come from the left side. The second question I always ask myself is “Where is the focal point?” It is better to have only one focal point, and to emphasize one plane: The foreground, or the middle, or the background.
This cover is a painting of mine of the home place of Luke Peeples, a Bluffton, South Carolina composer . This is Volume II of the Collected Works of Luke Peeples.
This painting was used by the Arkansas Children’s Hospital as a holiday card several years ago.
This is one of my oil paintings that I have in my dining room. I was experimenting with a new brush for the foliage! It is 24 x 36 in a wide gold frame.
Velvet Nights and Other Songs includes eight original songs and is now available as a spiral bound print book or as an e-Book. The cover is my art. Details about the book can be seen here. A YouTube video for Velvet Nights can be seen here. The YouTube video for My Red Hair, another song in the songbook, can be seen here.
Velvet Nights and Other Songs was my first songbook and is being reissued in a revised Second Edition. The songs in this collection are about spiritual transformation. I am influenced by Brugh Joy’s book, Avalanche, for insight into the Fall from Grace as neither mistake nor sin, but a movement from unity to duality.
The song Velvet Nights portrays a woman’s fall from grace and her resulting psychic move from unity with the loved one to independence as she faces the dawn of her new consciousness. Just as Velvet Nights refers to Eden (“we enter Paradise”) and the Fall (“dark shadows over our love”) so also does the song A Distant Eden. This song pursues the earlier reference to Genesis with references to the serpent in the garden. Eden is lost in this song, and death is hollow.
My Red Hair is about my own attempts to deny aging and death by dying my hair as I try to “delay the black night of silent time–the night of profound silence.”
Click here for a downloadable printable file of the first page of my-red-hair-2.
Another song in the book, The House of Spirits, is truly autobiographical. While at the University at Fayetteville, Arkansas, I lived in an old Victorian house on Leverett Street. One night in October I saw the spirit of a woman without a face.
I painted the cover design for this collection to reveal my personality structure—a massive white wall of pragmatism and rationality supported only by a flimsy pole at the base of which coils a serpent, my shadow. In the distance is the longed-for Church illuminated by white light. Alas, the distance between the self and salvation is dark with sinister rust-colored bushes encircling the self.